Meaghan Delahunt was born in Melbourne, Australia but now lives on the East Coast of Scotland. Her first novel, In The Blue House, was published to widespread acclaim in 2002, winning a regional Commonwealth Prize for Best First Book, the Saltire Award for First Novel, a Scottish Arts Council Book of the year award, and places on the Orange Prize longlist and the Christina Stead Prize shortlist. Her second novel, The Red Book (Granta, 2008), was shortlisted for the Saltire Book of the Year award for 2008.
Meaghan was awarded a UNESCO Aschberg literature residency and Scottish Arts Council bursary in 2000 and an Asialink literature residency in 2002. In 2004 she was Writer in Residence in the Management School at St Andrews University, and she now lectures in Creative Writing at the University of Stirling.
Meaghan’s website: http://www.meaghandelahunt.com/
Meaghan Delahunt is represented at Jenny Brown Associates by Jenny. For all enquiries contact email@example.com
Books by Meaghan
To The Island
Granta, June 2011
He disappeared. That’s all she really knew. In search of her father Andreas, whom she has never met, Lena travels with her small son from Australia to Greece. On the island of Naxos she finds him, a wary, tormented man living in self-imposed exile and haunted by what happened to him under the rule of the Colonels in the 1960s. Slowly Lena unlocks the secrets of her father’s past, and in getting to know him begins to understand the dark realities of contemporary Greek history. To the Island is a book about the impact of larger political events on the lives of ordinary people, and how political and personal betrayals reverberate across generations, beautifully evoking the currents and cross-currents between individuals, within families and in broader society. And in Lena and Andreas’s stories, it shows how difficult it is to confront our personal and collective pasts – and the terrible consequences of being unable to do so.
Praise for To The Island
A wise and compassionate novel, beautifully written
It is a tale of recovery, of people who go through very bad things and then get better, in a limited and circumscribed way. It has more in common with a novel by Jean Rhys or Ernest Hemingway than the usual story of recovery… The writing is spare, sinewy; the mood goes from dark to a little less dark
The Financial Times
A powerful novel… There is a meditative, painterly quality to this novel, which reflect the way Delahunt, a practising Buddhist, writes and thinks
The Glasgow Herald
This is a novel of quietly intense physicality… Meaghan Delahunt explores the labyrinths of the human heart in a long awaited third novel
Scotland on Sunday
One of the things that lifts Meaghan Delahunt’s novels above the ordinary, besides her attentive and spiky prose, is her political interest… It may always be politics, or a political cause, that anchors Delahunt’s tales, but her mapping of the political onto the personal shows that she never forgets the human faces behind the banners
Longlisted for the John D. Criticos Prize, London Hellenic Society